Ken Burns at Brandeis University

Undergraduate Commencement Address by Ken Burns

Ken Burns Filmmaker

Ken Burns, in a black academic robe with a white hood, speaks at a podium in front of a large blue banner with Brandeis University and the university logo. Also on the stage are other faculty members and distinguished guests wearing academic robes.

KEN BURNS SPEAKING:

President Liebowitz, Ron, Chair Lisa Kranc, and other members of the board of trustees, Provost Carol Fierke, fellow honorees, distinguished faculty and staff, proud and relieved parents, calm and serene grandparents, distracted but secretly pleased siblings, ladies and gentlemen, graduating students of the class of 2024, good morning.

I am deeply honored and privileged that you have asked me here to say a few words at such a momentous occasion that you might find what I have to say worthy of your attention on so important a day in all of your lives. Thank you for this honor.

Listen, I am in the business of history. It is not always a happy subject on college campuses these days, particularly when forces seem determined to eliminate or water down difficult parts of our past, particularly when the subject may seem to sum an anachronistic and irrelevant pursuit, and particularly with the ferocious urgency this moment seems to exert on us. It is my job, however, to remind people of the power our past also exerts, to help us better understand what's going on now with compelling story, memory, and anecdote. It is my job to try to discern patterns and themes from history to enable us to interpret our dizzying and sometimes dismaying present.

For nearly 50 years now, I have diligently practiced and rigorously tried to maintain a conscious neutrality in my work, avoiding advocacy if I could, trying to speak to all of my fellow citizens. Over those many decades I've come to understand a significant fact, that we are not condemned to repeat, as the saying goes, what we don't remember. That is a beautiful, even poetic phrase, but not true. Nor are there cycles of history as the academic community periodically promotes. The Old Testament, Ecclesiastes to be specific, got it right, I think. What has been will be again, what has been done will be done again. There is nothing new under the sun. What those lines suggest is that human nature never changes or almost never changes. We continually superimpose that complex and contradictory human nature over the seemingly random chaos of events, all of our inherent strengths and weaknesses, our greed and generosity, our puritanism and our prurience, our virtue, and our venality parade before our eyes, generation after generation after generation. This often gives us the impression that history repeats itself. It does not. "No event has ever happened twice, it just rhymes," Mark Twain is supposed to have said. I have spent all of my professional life on the lookout for those rhymes, drawn inexorably to that power of history. I am interested in listening to the many varied voices of a true, honest, complicated past that is unafraid of controversy and tragedy, but equally drawn to those stories and moments that suggest an abiding faith in the human spirit, and particularly the unique role this remarkable and sometimes also dysfunctional republic seems to play in the positive progress of mankind.

During the course of my work, I have become acquainted with hundreds if not thousands of those voices. They have inspired, haunted, and followed me over the years. Some of them may be helpful to you as you try to imagine and make sense of the trajectory of your lives today.

Listen, listen. In January of 1838, shortly before his 29th birthday, a tall, thin lawyer prone to bouts of debilitating depression addressed the young men's lyceum in Springfield, Illinois. "At what point shall we expect the approach of danger?" He asked his audience, "Shall we expect some trans-Atlantic military giant to step the earth and crush us at a blow?" Then he answered his own question. "Never. All the armies of Europe, Asia, and Africa could not by force take a drink from the Ohio River or make a track on the Blue Ridge in a trial of a thousand years. If destruction be our lot, we must ourselves be its author and finisher. As a nation of free men, we must live through all time or die by suicide." It is a stunning, remarkable statement, one that has animated my own understanding of the American experience since I first read it more than 40 years ago. That young man was of course Abraham Lincoln, and he would go on to preside over the closest this country has ever come to near national suicide, our civil war and yet embedded in his extraordinary, disturbing, and prescient words is also a fundamental optimism that implicitly acknowledges the geographical forcefield two mighty oceans east and west and two relatively benign neighbors north and south have provided for us since the British burned the White House in the War of 1812 and inspired Francis Scott Key.

Lincoln's words that day suggest what is so great and so good about the people who happen to inhabit this lucky and exquisite country of ours. That's the world you now inherit: our work ethic and our restlessness, our innovation and our improvisation, our communities and our institutions of higher learning, our suspicion of power. The fact that we seem resolutely dedicated to parsing the meaning between individual and collective freedom; What I want versus what we need. That we are all so dedicated to understanding what Thomas Jefferson really meant when he wrote that mysterious phrase, "The pursuit of happiness". Hint, it happens right here in the lifelong learning and perpetual improvement this university is committed to.

But the isolation of those two oceans has also helped to incubate habits and patterns less beneficial to us: our devotion to money and guns and conspiracies, our certainty about everything, our stubborn insistence on our own exceptionalism blinding us to that which needs repair, especially with regard to race and ethnicity. Our preoccupation with always making the other wrong at an individual as well as a global level. I am reminded of what the journalist I.F. Stone once said to a young acolyte who was profoundly disappointed in his mentor's admiration for Thomas Jefferson. "It's because history is tragedy," Stone admonished him, "Not melodrama." It's the perfect response. In melodrama all villains are perfectly villainous and all heroes are perfectly virtuous, but life is not like that. You know that in your guts and nor is our history like that. The novelist, Richard Powers recently wrote that, "The best arguments in the world," — and ladies and gentlemen, that's all we do is argue — "the best arguments in the world," he said, "Won't change a single person's point of view. The only thing that can do that is a good story." I've been struggling for most of my life to do that, to try to tell good, complex, sometimes contradictory stories, appreciating nuance and subtlety and undertow, sharing the confusion and consternation of unreconciled opposites.

But it's clear as individuals and as a nation we are dialectically preoccupied. Everything is either right or wrong, red state or blue state, young or old, gay or straight, rich or poor, Palestinian or Israeli, my way or the highway. Everywhere we are trapped by these old, tired, binary reactions, assumptions, and certainties. For filmmakers and faculty, students and citizens, that preoccupation is imprisoning. Still, we know and we hear and we express only arguments, and by so doing, we forget the inconvenient complexities of history and of human nature. That, for example, three great religions, their believers, all children of Abraham, each professing at the heart of their teaching, a respect for all human life, each with a central connection to and legitimate claim to the same holy ground, violate their own dictates of conduct and make this perpetually contested land a shameful graveyard. God does not distinguish between the dead. "Could you?"

"Could you?" A very wise person I know with years of experience with the Middle East recently challenged me, "Could you hold the idea that there could be two wrongs and two rights?"

Listen, listen. In a filmed interview I conducted with the writer James Baldwin, more than 40 years ago, he said, "No one was ever born who agreed to be a slave, who accepted it. That is, slavery is a condition imposed from without. Of course, the moment I say that," Baldwin continued, "I realize that multitudes and multitudes of people for various reasons of their own enslave themselves every hour of every day to this or that doctrine, this or that delusion of safety, this or that lie. Anti-Semites, for example," he went on, "are slaves to a delusion. People who hate Negroes are slaves. People who love money are slaves. We are living in a universe really of willing slaves, which makes the concept of liberty and the concept of freedom so dangerous," he finished. Baldwin is making a profoundly psychological and even spiritual statement, not just a political or racial or social one. He knew, just as Lincoln knew, that the enemy is often us. We continue to shackle ourselves with chains we mistakenly think is freedom.

Another voice, Mercy Otis Warren, a philosopher and historian during our revolution put it this way, "The study of the human character at once opens a beautiful and a deformed picture of the soul. We there find a noble principle implanted in the nature of people, but when the checks of conscience are thrown aside, humanity is obscured." I have had the privilege for nearly half a century of making films about the US, but I have also made films about us. That is to say the two letter, lowercase, plural pronoun. All of the intimacy of "us" and also "we" and "our" and all of the majesty, complexity, contradiction, and even controversy of the US. And if I have learned anything over those years, it's that there's only us. There is no them. And whenever someone suggests to you, whomever it may be in your life that there's a them, run away. Othering is the simplistic binary way to make and identify enemies, but it is also the surest way to your own self imprisonment, which brings me to a moment I've dreaded and forces me to suspend my longstanding attempt at neutrality.

There is no real choice this November. There is only the perpetuation, however flawed and feeble you might perceive it, of our fragile 249-year-old experiment or the entropy that will engulf and destroy us if we take the other route. When, as Mercy Otis Warren would say, "The checks of conscience are thrown aside and a deformed picture of the soul is revealed." The presumptive Republican nominee is the opioid of all opioids, an easy cure for what some believe is the solution to our myriad pains and problems. When in fact with him, you end up re-enslaved with an even bigger problem, a worse affliction and addiction, "a bigger delusion", James Baldwin would say, the author and finisher of our national existence, our national suicide as Mr. Lincoln prophesies. Do not be seduced by easy equalization. There is nothing equal about this equation. We are at an existential crossroads in our political and civic lives. This is a choice that could not be clearer.

Listen, listen. 33 years ago, the world lost a towering literary figure. The novelist and storyteller, not arguer, Isaac Bashevis Singer. For decades he wrote about God and myth and punishment, fate and sexuality, family and history. He wrote in Yiddish a marvelously expressive language, sad and happy all at the same time. Sometimes maddeningly all knowing, yet resigned to God's seemingly capricious will. It is also a language without a country, a dying language in a world more interested in the extermination or isolation of its long suffering speakers. Singer, writing in the pages of the Jewish Daily Forward help to keep Yiddish alive. Now our own wonderfully mongrel American language is punctuated with dozens of Yiddish words and phrases, parables and wise sayings, and so many of those words are perfect onomatopoeias of disgust and despair, hubris and humor. If you've ever met a schmuck, you know what I'm talking about. [audience laughs] Toward the end of his long and prolific life, Singer expressed wonder at why so many of his books written in this obscure and some said useless language would be so widely translated, something like 56 countries all around the world. "Why," he would wonder with his characteristic playfulness, "Why would the Japanese care about his simple stories of life in the shtetls of Eastern Europe 1,000 years ago?" "Unless," Singer paused, twinkle in his eye, "Unless the story spoke of the kinship of the soul." I think what Singer was talking about was that indefinable something that connects all of us together, that which we all share as part of organic life on this planet, the kinship of the soul. I love that.

Okay, let me speak directly to the graduating class. Watch out, here comes the advice. Listen. Be curious, not cool. Insecurity makes liars of us all. Remember, none of us get out of here alive. The inevitable vicissitudes of life, no matter how well gated our communities, will visit us all. Grief is a part of life, and if you explore its painful precincts, it will make you stronger. Do good things, help others. Leadership is humility and generosity squared. Remember the opposite of faith is not doubt. Doubt is central to faith. The opposite of faith is certainty. The kinship of the soul begins with your own at times withering self-examination. Try to change that unchangeable human nature of Ecclesiastes, but start with you. "Nothing so needs reforming," Mark Twain once chided us, "As other people's habits." [audience laughs]

Don't confuse success with excellence. Do not descend too deeply into specialism. Educate all of your parts, you will be healthier. Do not get stuck in one place. "Travel is fatal to prejudice," Twain also said. Be in nature, which is always perfect, and where nothing is binary. Its sheer majesty may remind you of your own atomic insignificance, as one observer put it, but in the inscrutable and paradoxical ways of wild places, you will feel larger, inspirited just as the egotist in our midst is diminished by his or her self regard.

At some point, make babies, one of the greatest things that will happen to you, I mean it, one of the greatest things that will happen to you is that you will have to worry, I mean really worry, about someone other than yourself. It is liberating and exhilarating, I promise. Ask your parents.

Choose honor over hypocrisy, virtue over vulgarity, discipline over dissipation, character over cleverness, sacrifice over self-indulgence. Do not lose your enthusiasm, in its Greek etymology the word enthusiasm means simply, "god in us". Serve your country. Insist that we fight the right wars. Denounce oppression everywhere.

Convince your government, as Lincoln understood that the real threat always and still comes from within this favored land. Insist that we support science and the arts, especially the arts.

They have nothing to do with the actual defense of our country; They just make our country worth defending.

Remember what Louis Brandeis said, "The most important political office is that of the private citizen." Vote. You indelibly... [audience applauding] Please, vote. You indelibly underscore your citizenship, and most important, our kinship with each other when you do. Good luck and god speed.

Did you catch the film, 'PATRICK and the WHALE' in AIFF 2023?

Did you catch the film, 'PATRICK and the WHALE' in AIFF 2023?

if so, you may be interested in this week's news release.  

 

Patrick and the Whale 

Mark Fletcher | 2022 | Doc |Austria | East Coast Premiere

Trailer -  https://www.youtube.com/watch?v=RrSc2XZiW8s

This film follows Patrick Dykstra’s personal journey and explores the psychology of a man who has sacrificed everything in his single-minded quest to connect with and understand one of the biggest creatures in the ocean. Devoting years to following these mammals, we share his experiences through his stunning underwater footage as he explores their nature, their intelligence, and their complexity. 

This Week's News Release:

 M.I.T: A team of marine biologists and computer scientists found the phonetic alphabet of sperm whales features 18 rhythms, five tempos, three types of rubat  (variation in duration), and two extra clicks called ornamentation, which are modified depending on conversational context. Using machine learning algorithms, the scientists identified 143 regularly used combinations they believe structure a form of phonetic alphabet. They are now exploring whether these signals convey specific intentions, like making group decisions or coordinating hunts.

Sperm whales employ a system of communication much more sophisticated than previously believed, researchers revealed yesterday, using the equivalent of a phonetic alphabet that varies depending on context. The new study analyzed nearly 9,000 codas— short bursts of clicks—using AI to uncover vocal patterns and potential meanings in how the animals signaled to each other in their deep-sea environment. 

Scientists hope, with the help of AI, to eventually be able to communicate with the whales, which would be the first time humans have spoken with another species.

ARLINGTON, home of many recognized filmmakers and actors!

Olympia Dukakis Actress, Director, Producer, Teacher, Activist, Author, and Arlington High School Graduate https://www.imdb.com/name/nm0001156/

 Stephen Radachia

Actress, Writer,  and Director

https://www.imdb.com/name/nm0705746/?ref_=nmbio_ov_i  

EEPHUS premieres at Cannes!  

EEPUS, a U.S. comedy drama has generated considerable buzz ahead

of its premiere at Cannes. With its intriguing blend of comedy and drama, the show promises to offer audiences a fresh and compelling perspective on life,

relationships, and the pursuit of dreams.  

"Eephus is rooted in the nuanced rhythms and often arcane rules of a quintessentially American sport, but in the great tradition of ‘hangout movies,’

the film is less about the particular game being played than about the possibilities it opens for the devoted community of oddballs on screen.”

Carson Lund, Director

staring STEPHEN RADACHIA 

eephus: one of the rarest pitches thrown in baseball, known for its exceptionally low speed and ability to catch a hitter off guard.

Oscars 2025 Film Academy Updates

Oscars: Film Academy Updates Rules and Campaign Protocols, Announces Changes to Special Awards

The Academy is also taking on a more prominent role in the effort to boost movie theaters, becoming more hospitable to composers and asking writers to show their work.

 Film Academy announces several changes to the 2025 Oscars, including changes to rules affecting best picture, animated feature, and original score categories  (More)

From Our partners...ACMi

Last November the 13th Arlington International Film Festival took place at the Capitol Theatre on Mass Ave. It was another success featuring films from the world over and fostering a deep appreciation for different cultures and learning more about the human experience we all share. ACMi received an honoree award from the AIFF and our news director Jeff Barnd emceed the event. The relationship between ACMi and the AIFF goes back more than a decade. And our relationship has just gotten stronger.


RED LETTER POEMs

In ancient Rome, feast days were indicated on the calendar by red letters.  To my mind, all poetry and art serve as a reminder that every day we wake together beneath the sun is a red-letter day.– Steven Ratiner

A Language for Colors

Asfar she would say

pointing at a yellow tulip.

And the color of grass?

Akhdar.

My young daughter had mastered

not only the colors

but also the throaty KH,

two letters in English

that equal one in Arabic.

I would tell her it’s the same sound

as in khamseh, khubez, sabanekh—

five, bread, spinach

and my favorite name

Khaled, Immortal.

I once confessed to a friend wistfully

that I would not name my son Khaled

because Americans couldn’t pronounce it.

Now I wonder about such wisdom:

even my eight-year-old

could constrict her throat muscles the right way

to say Khaled —

immortal like an ancient olive tree,

a flame that never abates,

a mother’s love.

This spring, I saw a patch

of double hybrid tulips,

asfar tinged with akhdar,

and thought of my daughter’s

satisfied grin at learning those words

thousands of miles away

from her grandparents’ home

in Palestine.

Here we are, hybrid Americans

living between two languages

and speaking in colors,

splendid flowers in a distant field   –– Zeina Azzam

“There was a child went forth every day,” wrote the Good Gray Poet, “And the first object he looked upon, that object he became. . .”.  And, upon first reading Leaves of Grass, the truth of that idea struck me immediately, resonating with my own distant memory.  In innocence, there seemed to be a much more permeable membrane between our consciousness and the surrounding world.  The crossing over from seeing into becoming felt, is not only possible but inevitable, utterly normal. “And that object became part of him for the day or a certain part of the day,/ Or for many years or stretching cycles of years.”  I can remember, as a child, watching a grasshopper slowly climbing a waist-high stalk of timothy; eye to eye, we ached with the exertion, the need to ascend.  (When was the last time I felt such immersion!)  But soon enough (and just like Adam in the Garden) even children feel compelled to name those tangible experiences–– grasshopper, timothy, such words came later.  And while language created an almost-visceral power and a certain sense of permanence––after all, I can call up that memory many decades later just by speaking those names–– it also brought with it a separation between the beholder and the beauty beheld.

But how to assess the layers of complexity surrounding such a moment if the very act of naming––and the spoken language that child is inheriting––already involves the experience of expulsion, fixed borders, and innocence lost?  Palestinian-American Zeina Azzam has had quite an interesting journey toward becoming the poet she is today.  Her family on both sides was rooted in Nazareth, in Galilee.  (If memory serves, there was another child that went forth from that ancient town. . .but that’s for another story.)  Her parents fled their home in 1948 as war raged around them––a conflict that would eventually establish Israel as the official Jewish homeland.  But one person’s liberation can sometimes be another’s dispossession; as refugees, and empty-handed, her parents made their way to Syria, where Zeina was born.  After spending some of her childhood in Lebanon, she and her family emigrated to the United States when Zeina was a ten-year-old.  And today––writer, educator, activist–– she is the Poet Laureate for Alexandria, Virginia.  Astonishing, yes?  Last month, Zeina published Some Things Never Leave You (Tiger Bark Press) from which today’s Red Letter selection is taken.  In the memory poem, she is teaching her own young daughter (not to mention her readers) the Arabic words for the colors that surround us in the world.  She is also offering us a glimpse of the path––the many interwoven paths––words blaze before us and guide our footsteps.  That is true for all of us but especially so in the hyphenated histories (in this case, Palestinian-American) that are integral in the American experience.  We carry within us, embedded in our very words, the lives, and landscapes that helped give us meaning and purpose.  You might be interested to know that Zeina’s daughter, ­­­Lena, will give birth to her second baby any day now.  And another child will venture out into this achingly beautiful existence, reaching for fistfuls of the yellow, the green, the red––the as far, Akhtar, Ahmar––profuse across the heart’s vast fields.

* If you would like to receive these poems every Friday in your own inbox – or would like to write in with comments or submissions – send correspondence to:

steven.arlingtonlaureate@gmail.com

* To learn more about the origins of the Red Letter Project, check out an essay I wrote for Arrowsmith Magazine:

https://www.arrowsmithpress.com/community-of-voices

and the Boston Area Small Press and Poetry Scene

http://dougholder.blogspot.com

* For updates and announcements about Red Letter projects and poetry readings, please follow me on Twitter       @StevenRatiner